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Caryl Churchill is a leading playwright who has written widely for the stage, television and radio.
Her stage plays include:
Owners (Royal Court Theatre, London, 1972);
Objections to Sex and Violence (Royal Court, 1975);
Light Shining in Buckinghamshire (Joint Stock, 1976);
Vinegar Tom (Monstrous Regiment, 1976);
Traps (Royal Court, 1977);
Cloud Nine (Joint Stock, 1979);
Three More Sleepless Nights (Soho Poly and Royal Court, 1980);
Top Girls (Royal Court, 1982);
Fen (Joint Stock, 1983);
Softcops (RSC, 1984);
A Mouthful of Birds with David Lan (Joint Stock, 1986);
Serious Money (Royal Court and Wyndham's, London, then Public Theater, New York, 1987);
Icecream (Royal Court, 1989);
Mad Forest (Central School of Speech and Drama, then Royal Court, 1990);
Lives of the Great Poisoners with Orlando Gough and Ian Spink (Second Stride, 1991);
The Skriker (Royal National Theatre, 1994);
Thyestes translated from Seneca (Royal Court, 1994);
Hotel with Orlando Gough and Ian Spink (Second Stride, 1997);
This is a Chair (Royal Court, 1997);
Blue Heart (Joint Stock, 1997);
Far Away (Royal Court, 2000, and Albery, London, 2001, then New York Theatre Workshop, 2002);
A Number (Royal Court, 2002, then New York Theatre Workshop, 2004);
A Dream Play after Strindberg (Royal National Theatre, 2005);
Drunk Enough to Say I Love You? (Royal Court, 2006, then Public Theater, New York, 2008);
Bliss, translated from Olivier Choinière (Royal Court, 2008);
Seven Jewish Children - a play for Gaza (Royal Court, 2009);
Love and Information (Royal Court, 2012);
Ding Dong the Wicked (Royal Court, 2012);
Here We Go (National Theatre, 2015);
Escaped Alone (Royal Court, 2016),
Pigs and Dogs (Royal Court, 2016),
Glass. Kill. Bluebeard. Imp. (Royal Court, 2019) and
What If If Only (Royal Court, 2021).
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