The Dehumanization of Art, published in 1925 by José Ortega y Gasset, is a seminal essay that explores the nature and purpose of modern art. Ortega examines the radical transformation of artistic expression in the early twentieth century, arguing that contemporary art deliberately distances itself from traditional human emotions and realism. Rather than seeking to represent life or evoke empathy, modern art turns toward abstraction, intellect, and form - an art that is "dehumanized." For Ortega, this "dehumanization" does not imply a rejection of humanity but a shift in focus: art ceases to mirror the external world or individual sentiment and instead becomes an autonomous creation of forms, colors, and ideas. The artist no longer aims to move the spectator emotionally but to engage them intellectually. This change, Ortega suggests, explains why many people feel alienated from modern art - it demands a cultivated sensitivity and an active, analytical participation rather than passive enjoyment. The essay also explores the elitist dimension of modern art. Ortega argues that its complexity and abstraction naturally divide audiences: only those who can appreciate its intellectual and aesthetic play are truly able to grasp it. This is not a flaw but a characteristic of a new age in which art serves as a form of cultural refinement rather than mass entertainment. By rejecting sentimentalism and direct representation, modern art reflects a mature, self-conscious civilization that values reflection over emotion. José Ortega y Gasset was a Spanish philosopher and essayist, widely regarded as one of the most influential intellectual figures of 20th-century Spain. His work is characterized by a profound reflection on culture, reason, and human life, proposing a vitalist philosophy that sought to renew European thought from a distinctly Hispanic perspective.