Danielle Vogel is a poet, interdisciplinary artist, and professor based in the Connecticut River Valley where she teaches at Wesleyan University and makes work at the intersections of queer and feminist ecologies, somatics, and ceremony. Her hybrid poetry collections include A Library of Light (Wesleyan 2024), The Way a Line Hallucinates Its Own Linearity (Red Hen 2020), Edges & Fray (Wesleyan 2020), and Between Grammars (Noemi 2015). Her work also appears in anthologies including, The Book: 101 Definitions, edited by Amaranth Borsuk (Anteism 2021), A Forest on Many Stems (Nightboat 2021), edited by Laynie Brown, and Counter-Desecration: A Glossary for Writing Within the Anthropocene (Wesleyan 2018), edited by Linda Russo and Marthe Reed.