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Gina Arnold is Visiting Professor at the Evergreen State College, USA. As a former rock critic for Rolling Stone, Spin and Entertainment Weekly, she was an early advocate of the genre now known as grunge. She is the author of Route 666: On the Road To Nirvana, (2003), Punk In the Present Tense, (1997) and Exile In Guyville, (Bloomsbury, 2014), as well as Rock Crowds And Power. She holds a Ph.D. from Stanford University in Modern Thought and Literature. John Dougan is Professor in the Department of Recording Industry at Middle Tennessee State University, USA. He has published essays and reviews in Rolling Stone, Spin, All Music Guide, American Music, Journal of Popular Music Studies, Popular Music and Society, Salon, and Perfect Sound Forever. He is the author of The Who Sell Out (Bloomsbury, 2006), and The Mistakes of Yesterday, The Hopes of Tomorrow: The Story of the Prisonaires (University of Massachusetts Press, 2013). Christine Feldman-Barrett is a Senior Lecturer in the School of Humanities, Languages and Social Science at Griffith University, Australia, and is a member of the Griffith Centre for Social and Cultural Research. She is the author of A Women's History of the Beatles (Bloomsbury, 2021) and 'We are the Mods': A Transnational History of a Youth Subculture (2009), and the editor of Lost Histories of Youth Culture (2015). She has published on topics of youth culture history in various collected volumes and in the Journal of Youth Studies, Space and Culture, Popular Music and Society, and Feminist Media Studies. Matthew Worley is Professor of modern history at the University of Reading, UK. His more recent work has concentrated on the relationship between youth culture and politics in Britain, primarily in the 1970s and 1980s. He is the author of No Future: Punk, Politics and British Youth Culture, 1976-1984 (2017) and co-founder of the Subcultures Network. |
