The poems of Two Open Doors in a Field are constructed through deliberate limitations, restlessly exploring place, desire, and spirituality. A profusion of sonnets rises from a single circumstance: Sophie Klahr's experience of driving thousands of miles alone while listening to the radio, where unexpected landscapes make listening to the unexpected more acute.

Through sonnets and a long sequence, the poems of Two Open Doors in a Field are constructed with deliberate limitations, restlessly exploring place, desire, and spirituality.