In Analytic Essays on Music by Women Composers: Concert Music, 1900-1960, editors Laurel Parsons and Brenda Ravenscroft collect innovative reinterpretations of women composers' work over the first half of the twentieth century.
Through its compelling analyses by distinguished scholars, this latest addition to the esteemed series on music by women composers will surely inspire readers to listen to, perform, and teach the exceptional works that its authors present with such care.