This volume views Doris Lessing's writing as a whole and in retrospect, focusing on her innovative attempts to rework literary form to engage with the challenges thrown up by the sweeping historical changes through which she lived.

'The breadth and freshness of these essays, introduced by the co-editors' fine overview of Doris Lessing's expressions of historical change through literary forms, reinforces the author's undiminished appeal to contemporary scholars and readers. Exploring formal elements of Lessing's work - characterisation, humour, readership, and film and dream analogues - along with politics and history, human evolution, climate change and time travel, these essays are timely, ambitious and intellectually engaging.' Roberta Rubenstein, American University Explores Doris Lessing's innovative engagement with historical change in her own lifetime and beyond The death of Nobel Prize-winning Doris Lessing sparked a range of commemorations that cemented her place as one of the major figures of twentieth- and twenty-first-century world literature. This volume views Lessing's writing as a whole and in retrospect, focusing on her innovative attempts to rework literary form to engage with the challenges thrown up by the sweeping historical changes through which she lived. The 12 original chapters [sounds like there's some old material as well! What about: In 12 newly commissioned contributions, the book ...] provide new readings of Lessing's work via contexts ranging from post-war youth politics and radical women's writing to European cinema, analyse her experiments with genres from realism to autobiography and science-fiction, and draw on previously unstudied archive material. The volume also explores how Lessing's writing can provide insight into some of the issues now shaping twenty-first-century scholarship - including trauma, ecocriticism, the post-human and world literature - as they emerge as defining challenges to our own present moment in history. Kevin Brazil is a Lecturer in Late Twentieth- and Twenty-First-Century British Literature at the University of Southampton. David Sergeant is a Lecturer in English post-1850 at Plymouth University. Tom Sperlinger is a Reader in English Literature and Community Engagement at the University of Bristol. Cover image: Doris Lessing, 1981 (c) Sophie Bassouls/Sygma/Corbis Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-1443-2 Barcode