Altruism and self-assertiveness went hand in hand for Victorian women. During a period when most lacked property rights and professional opportunities, gift transactions allowed them to enter into economic negotiations of power as volatile and potentially profitable as those within the market systems that so frequently excluded or exploited them. They made presents of holiday books and homemade jams, transformed inheritances into intimate and aggressive bequests, and, in both prose and practice, offered up their own bodies in sacrifice. Far more than selfless acts of charity or sure signs of their suitability for marriage, such gifts radically reconstructed women's personal relationships and public activism in the nineteenth century.
Giving Women examines the literary expression and cultural consequences of English women's giving from the 1820s to the First World War. Attending to the dynamic action and reaction of gift exchange in fiction and poetry by Charlotte Brontë, Elizabeth Barrett Browning, Elizabeth Gaskell, and Christina Rossetti as well as in literary annuals, Salvation Army periodicals, and political pamphlets, Rappoport demonstrates how female authors and fictional protagonists alike mobilized networks outside of marriage and the market. Through giving, women redefined the primary allegiances of their everyday lives, forged public coalitions, and advanced campaigns for abolition, slum reform, eugenics, and suffrage.
In literature and social activism, Victorian women used gift exchanges to establish kinship and political alliances. In Giving Women, Jill Rappoport argues that through intimate gifts, they achieved both personal and public agency, mobilizing networks outside of marriage and the market to advance legal, scientific, and religious reforms.
Giving Women is scrupulously researched, with abundant use of archival materials, cogently argued, and beautifully written. Its impressive breadth and range will make it essential reading among literary, historical, and feminist scholars of the period.