What's an editor to do with so many demands? Do you deal with the morning's pile of manuscript submissions first? Or the swine from sales who steals all the chocolate digestives? Or do you concentrate on your ex-lover, whose business partner has just been found dead in their art gallery, slumped over his desk with a gun in his hand? It's another day at Timmins & Ross publishing house, but when sharp-tongued editor Samantha Clair's CID boyfriend is brought in to investigate Frank Compton's death, her loyalties become stretched. And when one of Aidan Merriam's artists is found dead in identical circumstances, Sam takes on the art world and the CID, armed with nothing more than her reliable weapons: satire, cynicism and a stock of irrelevant information culled from novels.
What's an editor to do with so many demands? Do you deal with the morning's pile of manuscript submissions first? Or the swine from sales who steals all the chocolate digestives? Or do you concentrate on your ex-lover, whose business partner has just been found dead in their art gallery, slumped over his desk with a gun in his hand?
It's another day at Timmins & Ross publishing house, but when sharp-tongued editor Samantha Clair's CID boyfriend is brought in to investigate Frank Compton's death, her loyalties become stretched. And when one of Aidan Merriam's artists is found dead in identical circumstances, Sam takes on the art world and the CID, armed with nothing more than her reliable weapons: satire, cynicism and a stock of irrelevant information culled from novels.
'This witty crime caper . . . is a delight from first page to last' N. J. Cooper
'Whip-smart and devious' Louise Penny
